About this work

A collection pairs poems received from another poet with responses, then turns to hometown ties, writing, mortality and the memory of Kitahara Hakushu. This English version is an editorial translation for access; the Japanese text remains available alongside it for comparison.

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日本語原文 Japanese original

 近作詠草11 令和二年一月十一日 (No.1936)
             濱野成秋
 
歌人三井茂子より四首たまはり、その壱苔の歌
苔むした石に落ちたる一凉の
  椿語るがに静もる初冬   茂子
 
本歌取り。ためらふ心と訪なふ人を想ひて
苔はらひ棕櫚縄結びし関守の
  水面に映る手弱女の袖   成秋
 
もはや絶えなむか、いや蘇りとて嬉しく
みとせおも眠れるシャコバサボテンの
  今朝赤々と蕾膨らむ    茂子
 
本歌取り。想ひ想はれ良き人は逝く
これ吾と君がくれにしサボテンの
  参年みとせの春に紅の華咲く   成秋
伊豆山荘に遊びて詠める
ひきつめし山の庭なる枯葉鳴る
  誰そ歩むやハクビシンなる   茂子
 
閑居してよそ人の訪れに戸惑ひ
枯葉舞ひしとど濡れたる白路地を
  踏み来て乞ふる案内のよそ人  成秋
 
初春に想ふ人とお茶して
雛の日に君と逢い見む梅の里
  ままごと屋にて語る嬉しも   茂子
 
今年も春は廻り来るが帰らぬ人の俤や何処
雛近し蝋梅の枝掻ひ潜り
  訪れし君の笑顔やいずこに   成秋
 
かくしてわが心は里帰りをしてみるものの
盆暮れと古里おもきいと辛き今年の夏は去年こぞより重き
今年の郷里の盆踊りで、おそらく吾は
里人の笑みや太鼓のほとばしり草吹く踊りに吾怯ひるみをり
 
与謝野晶子の孫女から「われ転向せじ」の御詩賜りて詠める。
汝が志こころ殺伐たるを歓ばず希わくば生きよ超えゐてまほし
 
苦悩も憤怒も忘れまじ吾らが世代はペンに託すのみにて
吾がペンも吾が書もゐるをる寄り添ひぬ
  何処いずこぞ吾だけ旅立つ朝まで
 
人の生と文の行方は測りがたき
何なに故ゆえに喰らひて書くや何故に生きて何故死して何故
 
きのふ城ケ島に遊びて白秋の魂に遭ふて語れり
君問ふな幾いく年とせ虚むなし城ケ島数へる指に雨粒の舞ふ
 
                     (No.1936は以上)

English translation 英訳

AI-assisted English translation. The Japanese original remains authoritative.

Four tanka from the poet Shigeomi Mihoko, the first

On the moss-covered stone, a single coolness falls

Cherry blossoms speak, and the stillness of early winter

      Mihoko

Proper tanka. Thinking of the hesitating heart and the visitor

Moss covers the brown rope tied by the gatekeeper

      The reflection of a weak woman's sleeve on the water

      Nobutaka

Already, it is no longer to be, yet I rejoice, for it is revived

      Praise the sleeping sago palm

      This morning, the buds swell red

      Mihoko

Proper tanka. Thoughts, thoughts, the good person departs

      This is the sago palm given to me and you

      In the third year's spring, red flowers bloom

      Nobutaka

Composed while playing at the Izu Mountain Villa

      The withered leaves in the mountain garden are rustling

      Who walks here, the white-bellied squirrel

      Mihoko

Lonely, I am confused by the visitor's arrival

      The white path, drenched by the falling leaves

      The visitor begs for guidance

      Nobutaka

Thinking of the person I met on the day of the baby festival, and drinking tea

      On the day of the baby festival, I meet you in the plum grove

      We speak joyfully in the dollhouse

      Mihoko

This year, spring again returns, but where is the person who does not return?

      Close to the baby festival, the wax plum branches are brushed

      Where is the smile of the visitor who came?

      Nobutaka

Thus, my heart returns to the village, but

      The late summer and the old hometown are bitter this year

      This year's summer festival in my hometown, I think perhaps I

      Will be afraid of the laughter of the villagers and the drumming

      Of the grass swaying dance

Receiving a poem from the granddaughter of Yosano Akiko, 'I will not turn back'

      Do not rejoice in your will being crushed, but wish to live

      And surpass it, it is wonderful

      Do not forget the suffering and anger, our generation

      Can only entrust it to the pen

      My pen, my writing, they are together

      Where is the place where I alone depart

      The way of human life and writing is immeasurable

      Why do I eat, why do I write, why do I live, why do I die

Yesterday, I played at Jogashima, and met the soul of Shiraaki

      You ask, how many years have passed, it is empty

      The raindrops dance on the fingers counting Jogashima

(No. 1936 is above)

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