About this work
An introduction and lyrics connect the Meguro River, popular dance songs and stories of love, with notes on the project’s collaborators. This English version is an editorial translation for access; the Japanese text remains available alongside it for comparison.
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日本語原文 Japanese original
序
音頭は元来、世俗がむき出しで成った歌謡である。
卑猥な風俗、隠さない心根さえも恥じらいも厭わずぶつけてこそ、本心で愛する音頭となると考える。本音をぶつけて何が悪いという開き直りには、苦労の毎日、失敗だらけの人生がむき出しの庶民には愛すべき笑いと哀しみの歌になっている。
最近筆者は戦中戦後にかけて学者歌人として著名な川田順が昭和六年に出した満州訪問記とでもいうか、短歌集『かささぎ』を読みつ、自らも歌う掌編を書いた。少々硬直気味の心境が持続し、その直後の筆に成る。だから、「わたしゃ真室川の梅の花。あなたはこの町の鶯よ…と始まる「真室川音頭」に視る卑俗な「からみ」が色濃く滲む。
川田の作風とはいかに異質か。冒頭にこうあり。
大君の遠の使と寧楽人の
齋ひて行きしあらきこの海
筆者は抵抗を感じるも、素直に触発された風で、、
奈良人の超えへし灘海に乗り出でる
己が小袖に跳ねる荒波
と詠む。恥ずるべくもない。千年の古代から数百年の近世に、寸時に跳んで、江戸期の、怪談めいた情話に浸るを愛でて俗謡を書くと次のように成った。
目黒川には江戸期の、歌舞伎でも評判を取った鶴屋南北作の「白井権八と花魁こむらさき」の切ない情話が絡んで消えない。今人はこれを微塵も知らぬ。もったいないし赦せない。絶えた死霊に憑りつかれしは己が独りか、やるせない。筆者はゆえに、この情話に拘泥り、筆が進む。
☆壱番
スチャラカシャンシャン、……
スチャラカシャンシャン、……
咲いた咲いたよ 目黒の桜
逢うて嬉しや 人波小波
川の面に 頬くっつけて
愛し 恋しやお初の出逢い
交わす小指も夢ごこち
目黒音頭も夢心地、夢心地
ソレ!
目黒よいとこ 一度はおいで
誰に気兼ねも要るものか
ソレ!
目黒よいとこ 一度はおいで
可愛小袖に半幅帯で
ソレ!
大江戸恋しや 一度はおいで
此処は元禄 花見酒 花見酒
スチャラカシャンシャン、……
スチャラカシャンシャン、……
☆弐番
スチャラカシャンシャン、……
スチャラカシャンシャン、……
西の祇園は東の目黒
誰そ彼ぼんぼり 夜更けは錦
三味と太鼓に浮かれて酔うて
奴さん尻端折
きりりと締めて
粋な目くばせ
にっこり笑顔
ソレ
踊り明かそう
目黒の岸辺
恋の未練も尽きぬまで
ソレ!
踊り明かそう
目黒の出遭い
ソレ!
愛し恋しの
目黒川、目黒川
「目黒川恋歌」 作詩 濱野成秋
☆壱番
チントン、チレンツ、ツウンシャン
花は大江戸 目黒のさくら
小紫待つ 愛しき街よ
川辺の春雨 寄り添う二人
腕に縋って しなだれ濡れて
けふもそぞろに 春雨しとど
濡れて渇ひて 渇ひてぬれて
雄蕊雌しべも 花魁橋も
春はめぐろよ ヤーレ 恋の街
チテチテ ツルーン、シャン
☆弐番
チントン、チレンツ、ツウンシャン
花は散り初め 葉桜愛い愛い
逢うて嬉しや 目黒の岸辺
月は木の間を ちらちらと
ほろ酔い 頬寄せ 今日もまた
おぼろ月夜の 逢う瀬の宿よ
でもなによそれ
酒の機嫌の 爪弾きみたい
権八のごと 手切れにするの
チテチテ ツルーン、シャン
チテチテ ツルーン、シャン
☆参番
女・遭へて嬉しや 三年ぶりね
男・目黒の川風 こごちよい
女・あらま独り身 お気の毒
女・私を探して毎日ここへ?
男・まるで権八 小紫
女・そんなのいやよ 幸せ欲しい
女・目黒の川は幸せの
男・小笹舟を流す川
☆繰り返し
巡る弥生は 楽しみばかり
雄蕊雌しべも 花魁橋も
目黒に巡るよ 目黒に巡るよ
ヤーレ 恋の街
☆本作は2024.03.21に書き起こし同月28日に日本浪漫学会会員たちと回覧し目黒川花見の席にて披露発表に及んだ。当日の立会人は作曲家山川英毅(慶大哲学科よりボストン「バークリー音楽院」卒業)、同学会会員で大正大学英文学科卒業の閨秀詩人高鳥奈緒、まとめ役を同学会副会長河内裕二尚美大学准教授に依頼した。作詩は中央公論社や研究社での出版歴の多い警鐘作家濱野成秋。学生時代、目黒に居住し昔日の想い出とみに多し。制作時点で濱野成秋は日本浪漫学会の初代会長である。
English translation 英訳
AI-assisted English translation. The Japanese original remains authoritative.
Measuring the River Meguro Dance Song and Love Song
The sound of the dance is originally a song that reveals the world as it is.
Only when we boldly expose vulgar customs and unashamedly reveal our true hearts can we truly love this kind of song. This straightforward honesty, which refuses to hide anything, becomes a song of laughter and sorrow for the common people who endure hard days and a life full of failures.
Recently, the author read a short song collection called Kasasagi by Kawata Shun, a famous scholar and poet from the wartime and postwar periods, and wrote his own short song. A somewhat rigid mood persisted, and this was the result of that. Therefore, the author sees a strong sense of the vulgar 'from the heart' in the beginning of the song "Mamurogawa River Dance", which starts with "I am the plum blossom of Mamurogawa River. You are the nightingale of this town..."
How different this is from Kawata's style. The opening line is:
Great Lord, the distant messenger, the peaceful people, and the ones who have gone to the sea
The author feels resistance, but is honestly moved by this style, and writes:
The Nara man rides the waves of the ocean beyond the shore
The wild waves bounce off his own kimono
There is no shame in this. From a thousand years ago to the recent centuries, he jumps in time, and immerses himself in the strange tales of the Edo period, and writes this folk song as follows:
"Mamurogawa River Dance Song" Seishu Hamano
The river Meguro is entangled with a sad love story from the Edo period, written by Tsuruya Nanboku, a famous Kabuki playwright, called "Shirai Gonpachi and the Courtesan Komurasaki". Today's people know nothing of this. It's a shame and cannot be forgiven. If one is possessed by the spirits of the dead, is it only oneself who feels helpless? The author therefore becomes fixated on this story and proceeds with the writing.
First Section
Scchara ka shan shan,...
Scchara ka shan shan,...
The cherry blossoms have bloomed, bloomed, on the Meguro River
Meeting is joy, the crowd is a small wave
Pressing my cheek against the river's surface
Love, love, the first meeting
Even the small fingers we exchange are like a dream
The Meguro River dance is a dream, a dream
SO!
The Meguro River is a good place, come once
Who would have any hesitation?
SO!
The Meg,uro River is a good place, come once
In a cute kimono with a half-width sash
SO!
The great Edo loves, come once
This place is the Genroku era, flower viewing wine, flower viewing wine
Scchara ka shan shan,...
Scchara ka shan shan,...
Second Section
Scchara ka shan shan,...
Scchara ka shan shan,...
The west's Gion is the east's Meguro
Whoever, whoever, the lanterns at night
Drunk on the three-stringed lute and drum
He cuts off the end of the woman's behind
He tightens it up
A refined way of showing off
A smiling face
SO
Dance until the end of the love
On the banks of the Meguro River
Until the last remnants of love are gone
SO!
Dance until the end of the meeting
On the banks of the Meguro River
SO!
Love, love, the Meguro River, the Meguro River
"Meguro River Love Song" Seishu Hamano
First Section
Chinton, chirentsu, tsun shan
Flowers are the great Edo, the cherry blossoms of Meguro
The purple flower Komurasaki waits, the beloved town
Spring rain on the riverbank, the two of us leaning close
Clutching each other's arms, drenched in the rain
Even today, the spring rain is still falling
Drenched, thirsty, thirsty, and wet
The stamens and pistils, the courtesan bridge
Spring is Meguro, Yaaare, the town of love
Chite chite, tsuruun, shan
Second Section
Chinton, chirentsu, tsun shan
Flowers are beginning to fall, the cherry blossoms are loved, loved
Meeting is joy, on the banks of the Meguro River
The moon flickers through the trees
Half-drunk, leaning close, today again
The inn where we meet on the night of the moon
But what's the point of that
Like a nail tapping, the mood of the sake
Like Gonpachi, cut it short
Chite chite, tsuruun, shan
Chite chite, tsuruun, shan
Third Section
Woman: Meeting is joy, it's been three years
Man: The wind of the Meguro River is pleasant
Woman: Alas, I'm alone, you're pitiful
Woman: Are you looking for me every day here?
Man: Just like Gonpachi, Komurasaki
Woman: I don't want that, I want happiness
Woman: The Meguro River is the place of happiness
Man: The river where the small reed boat flows
Repeat
The passing of the rice planting season is only joy
The stamens and pistils, the courtesan bridge
The Meguro River is where it passes, the Meguro River is where it passes
Yaaare, the town of love
This work was written on March 21, 2024, and on March 28 of the same month, it was circulated among members of the Japanese Romantic Society and performed at a flower viewing gathering on the Meguro River. The person who presided over the event was the composer Hideki Yamakawa (graduated from Boston's "Berkeley School of Music" after studying at Keio University's Philosophy Department), the poet and member of the same society, Nao Takatori, who graduated from the English Department of Taisho University, and the organizer was requested from the vice president of the society, Yuji Kawachi, a part-time professor at Shobi University. The poet, Seishu Hamano, is a well-known writer with a long history of publications in Chuo Koronsha and Kenkyusha. During his student days, he lived in Meguro and has many memories of the past. At the time of creation, Seishu Hamano was the first president of the Japanese Romantic Society.
Original wording, author credits, notes and source materials are preserved there.