{"id":4283,"date":"2026-09-25T18:17:34","date_gmt":"2026-09-25T09:17:34","guid":{"rendered":"https:\/\/japanromanticism.com\/?p=4283"},"modified":"2026-09-28T12:44:42","modified_gmt":"2026-09-28T03:44:42","slug":"red-shoes-tango-bilingual-20260925","status":"publish","type":"post","link":"https:\/\/japanromanticism.com\/en\/2026\/09\/25\/red-shoes-tango-bilingual-20260925\/","title":{"rendered":"\u6b4c\u8b21\u300c\u8d64\u3044\u9774\u306e\u30bf\u30f3\u30b4\u300d\u306b\u898b\u308b\u5973\u306e\u534a\u751f\u6daf"},"content":{"rendered":"<div class=\"jra-site jra-reader-en jra-article jra-tango-reader\" data-design=\"lapis\" data-palette=\"gold\" data-jra-id=\"red-shoes-tango-bilingual-20260925\" data-jra-content-languages=\"ja,en-commentary\" lang=\"en\">\n<div class=\"wrap\">\n<nav class=\"breadcrumbs\" aria-label=\"Breadcrumb\"><a href=\"https:\/\/japanromanticism.com\/works\/?jra_lang=en\">Works &amp; research<\/a> \/ <a href=\"https:\/\/japanromanticism.com\/works\/?jra_category=essays&amp;jra_lang=en\">Essays<\/a><\/nav>\n<header class=\"article-head\">\n<p class=\"eyebrow\">Essays \u00b7 Literature &amp; music<\/p>\n<h1><span class=\"tango-ui-ja\" lang=\"ja\">\u6b4c\u8b21\u300c\u8d64\u3044\u9774\u306e\u30bf\u30f3\u30b4\u300d\u306b\u898b\u308b\u5973\u306e\u534a\u751f\u6daf<\/span><span class=\"tango-ui-en\" lang=\"en\">An Essay on \u201cTango of the Red Shoes\u201d<\/span><\/h1>\n<p class=\"tango-title-ja\"><span class=\"tango-ui-en\" lang=\"ja\">\u6b4c\u8b21\u300c\u8d64\u3044\u9774\u306e\u30bf\u30f3\u30b4\u300d\u306b\u898b\u308b\u5973\u306e\u534a\u751f\u6daf<\/span><span class=\"tango-ui-ja\" lang=\"en\">An Essay on \u201cTango of the Red Shoes\u201d<\/span><\/p>\n<div class=\"jra-credits\">\n<p>Seishu Hamano <span lang=\"ja\">\uff0f \u6ff1\u91ce\u6210\u79cb\uff08\u5973\u5f62\u7b46\u540d\u6a58\u304b\u307b\u308a\uff09<\/span><\/p>\n<\/div>\n<p class=\"tango-manuscript-actions\"><a class=\"tango-pdf-button\" href=\"https:\/\/japanromanticism.com\/wp-content\/uploads\/2026\/09\/red-shoes-tango-original-20260928.pdf\"><span class=\"tango-ui-ja\" lang=\"ja\">\u539f\u7a3fPDF\u3092\u958b\u304f\uff08\u51685\u30da\u30fc\u30b8\uff09<\/span><span class=\"tango-ui-en\" lang=\"en\">Open the original PDF (5 pages)<\/span> \u2197<\/a> <a class=\"tango-web-link\" href=\"#tango-web-text\"><span class=\"tango-ui-ja\" lang=\"ja\">\u6a2a\u66f8\u304d\u306e\u672c\u6587\u30fb\u82f1\u8a9e\u89e3\u8aac\u3078 \u2193<\/span><span class=\"tango-ui-en\" lang=\"en\">Continue to the web text &amp; English commentary \u2193<\/span><\/a><\/p>\n<p class=\"tango-bio\">Former professor at the State University of New York \u00b7 <a href=\"https:\/\/hamano.japanromanticism.com\/en\/\">Author profile \u2197<\/a><\/p>\n<p class=\"english-summary\">Seishu Hamano reads a young dancer\u2019s life through \u201cTango of the Red Shoes,\u201d connecting the song\u2019s imagery with the social setting of early postwar Japan.<\/p>\n<p class=\"tango-intro-ja\" lang=\"ja\">\u897f\u689d\u516b\u5341\u4f5c\u8a69\u30fb\u53e4\u8cc0\u653f\u7537\u4f5c\u66f2\u306e\u300c\u8d64\u3044\u9774\u306e\u30bf\u30f3\u30b4\u300d\u3002\u6ff1\u91ce\u6210\u79cb\u304c\u3001\u6b4c\u306b\u63cf\u304b\u308c\u305f\u5973\u6027\u306e\u6b69\u307f\u3092\u3001\u6226\u5f8c\u65e5\u672c\u306e\u4e16\u76f8\u3068\u91cd\u306d\u3066\u8aad\u307f\u89e3\u304d\u307e\u3059\u3002<\/p>\n<p class=\"tango-reading-note\">Japanese original with English commentary, rather than a full translation.<span lang=\"ja\">\u65e5\u672c\u8a9e\u672c\u6587\u3068\u82f1\u8a9e\u89e3\u8aac\u3092\u4f75\u8a18\u3057\u3066\u3044\u307e\u3059\u3002<\/span><\/p>\n<\/header>\n<section class=\"tango-manuscript\" id=\"original-manuscript\" aria-labelledby=\"original-manuscript-title\">\n<h2 id=\"original-manuscript-title\"><span class=\"tango-ui-ja\" lang=\"ja\">\u7e26\u66f8\u304d\u30fb\u30ab\u30e9\u30fc\u306e\u539f\u7a3f\u3092\u8aad\u3080<\/span><span class=\"tango-ui-en\" lang=\"en\">Read the original manuscript<\/span><\/h2>\n<p><span class=\"tango-ui-ja\" lang=\"ja\">\u4f1a\u9577\u306e\u539f\u7a3f\u3092\u3001\u6587\u5b57\u8272\u30fb\u7e26\u66f8\u304d\u30fb\u6539\u30da\u30fc\u30b8\u3092\u4fdd\u3063\u305fPDF\u3067\u3054\u89a7\u3044\u305f\u3060\u3051\u307e\u3059\u3002<\/span><span class=\"tango-ui-en\" lang=\"en\">The author\u2019s original manuscript preserves its vertical layout, colours and pagination.<\/span><\/p>\n<figure><a href=\"https:\/\/japanromanticism.com\/wp-content\/uploads\/2026\/09\/red-shoes-tango-original-20260928.pdf\" aria-label=\"\u539f\u7a3fPDF\u3092\u958b\u304f \/ Open the original manuscript PDF\"><img class=\"lazyload\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271700%27%20height%3D%271203%27%20viewBox%3D%270%200%201700%201203%27%3E%3Crect%20width%3D%271700%27%20height%3D%271203%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"https:\/\/japanromanticism.com\/wp-content\/uploads\/2026\/09\/red-shoes-tango-original-preview-20260928.webp\" width=\"1700\" height=\"1203\" alt=\"\u6b4c\u8b21\u300e\u8d64\u3044\u9774\u306e\u30bf\u30f3\u30b4\u300f\u5973\u306e\u534a\u751f\u6daf \u2014 \u6ff1\u91ce\u6210\u79cb\u306e\u7e26\u66f8\u304d\u30fb\u30ab\u30e9\u30fc\u539f\u7a3f\u3001\u7b2c1\u30da\u30fc\u30b8\" decoding=\"async\"><\/a><figcaption><span class=\"tango-ui-ja\" lang=\"ja\">\u539f\u7a3f\u306e\u7b2c1\u30da\u30fc\u30b8\u3002\u753b\u50cf\u307e\u305f\u306f\u4e0a\u306e\u30dc\u30bf\u30f3\u304b\u3089\u5168\u30da\u30fc\u30b8\u3092\u958b\u3051\u307e\u3059\u3002PDF\u306f\u539f\u7a3f\u306e\u8868\u8a18\u3092\u4fdd\u6301\u3057\u3001\u4ee5\u4e0b\u306e\u30a6\u30a7\u30d6\u7248\u3067\u306f\u82f1\u8a9e\u89e3\u8aac\u3092\u6821\u95b2\u3057\u3066\u3044\u307e\u3059\u3002<\/span><span class=\"tango-ui-en\" lang=\"en\">Page 1 of the original manuscript. Select the image or button to open all pages. The PDF preserves the submitted wording; the English commentary below has been copyedited.<\/span><\/figcaption><\/figure>\n<\/section>\n<div class=\"article-body\" id=\"tango-web-text\">\n<p class=\"tango-song-credit\"><strong>\u201cTango of the Red Shoes\u201d <span lang=\"ja\">\uff0f\u300c\u8d64\u3044\u9774\u306e\u30bf\u30f3\u30b4\u300d<\/span><\/strong><span>Words: Saijo Yaso <span lang=\"ja\" style=\"display:inline\">\uff08\u897f\u689d\u516b\u5341\uff09<\/span> \u00b7 Music: Koga Masao <span lang=\"ja\" style=\"display:inline\">\uff08\u53e4\u8cc0\u653f\u7537\uff09<\/span><\/span><\/p>\n<nav class=\"tango-toc\" aria-label=\"Essay sections\"><a href=\"#tango-section-1\">Verse 1 <span lang=\"ja\">\uff0f\u7b2c1\u7bc0<\/span><\/a><a href=\"#tango-section-2\">Verse 2 <span lang=\"ja\">\uff0f\u7b2c2\u7bc0<\/span><\/a><a href=\"#tango-section-3\">Verse 3 <span lang=\"ja\">\uff0f\u7b2c3\u7bc0<\/span><\/a><\/nav>\n<section class=\"tango-section\" id=\"tango-section-1\" aria-labelledby=\"tango-heading-1\">\n<h2 id=\"tango-heading-1\">Verse 1<span lang=\"ja\">\u7b2c1\u7bc0<\/span><\/h2>\n<div class=\"tango-pair\">\n<section class=\"tango-language\" lang=\"ja\">\n<h3>\u65e5\u672c\u8a9e\u672c\u6587 \u00b7 \u6b4c\u8a5e\u5f15\u7528<\/h3>\n<blockquote>\n<p>\u8ab0\u304c\u5c65\u304b\u305b\u305f\u3000\u8d64\u3044\u9774\u3088<br \/>\n\u6d99\u77e5\u3089\u306a\u3044\u3000\u4e59\u5973\u306a\u306e\u306b<br \/>\n\u5c65\u3044\u305f\u591c\u304b\u3089\u3000\u5207\u306a\u304f\u82bd\u751f\u3048\u305f<br \/>\n\u604b\u306e\u3000\u3053\u3053\u308d<br \/>\n\u7a93\u306e\u6708\u3055\u3048\u3000\u5606\u304d\u3092\u8a98\u3046<\/p>\n<\/blockquote>\n<p>\u3053\u306e\u6b4c\u304c\u51fa\u305f\u662d\u548c\uff12\uff15\u5e74\u306f\u3088\u3046\u3084\u304f\u98df\u3048\u308b\u304b\u98e2\u3048\u6b7b\u306b\u304b\u3001\u702c\u6238\u969b\u306b\u30d4\u308a\u3092\u6253\u3063\u305f\u3001\u671d\u9bae\u52d5\u4e71\u306e\u7279\u9700\u666f\u6c17\u306e\u3055\u4e2d\u3067\u3042\u3063\u305f\u3002\u5df7\u306f\u8ecd\u56fd\u5fa9\u6d3b\u30ad\u30e3\u30d0\u30ec\u30fc\u304c\u6c3e\u6feb\u3057\u3066\u3044\u305f\u3002\u3060\u304b\u3089\u9ad8\u7d1a\u3059\u304e\u308b\u30bf\u30f3\u30b4\u8abf\u3067\u3001\u60a9\u307e\u3057\u304f\u3001\u304a\u305e\u307e\u3057\u304f\u3002\u30d4\u30ab\u30d4\u30ab\u306e\u8d64\u3044\u9774\u306a\u3069\u3001\u9ad8\u5dba\u306e\u82b1\u3002<\/p>\n<p>\u6b4c\u306f\u307e\u3060\u7537\u3092\u77e5\u3089\u306a\u3044\u3046\u3076\u306a\u5c11\u5973\u304c\u3001\u300c\u3069\u3046\u3060\u3044\u3001\u3044\u3044\u9774\u3060\u308d\u3046\u3001\u5c65\u3044\u3066\u307f\u3093\u304b\uff1f\u300d\u3068\u60aa\u306e\u8a98\u3044\u306b\u304b\u304b\u308b\u3002\u300c\u4f55\u3082\u77e5\u3089\u306a\u3044\u4e59\u5973\u300d\u3092\u300c\u6d99\u3057\u3089\u306a\u3044\u300d\u3068\u66f8\u3044\u3066\u80f8\u3068\u304d\u3081\u304b\u3059\u3002\u662d\u548c\uff13\uff10\u5e74\u4ee3\u306b\u51fa\u305f\u300e\u8d64\u7dda\u5730\u5e2f\u300f\u3068\u3044\u3046\u6620\u753b\u3067\u306f\u3001\u8d64\u3044\u9774\u306a\u3089\u306c\u89aa\u5b50\u4e3c\u306e\u65e8\u3055\u306b\u9a5a\u5606\u3057\u305f\u8ca7\u8fb2\u51fa\u306e\u5b50\u304c\u305d\u306e\u9053\u306b\u67d3\u307e\u308b\u8a98\u60d1\u306e\u7b2c\u4e00\u6b69\u306e\u63cf\u5199\u304c\u3042\u308b\u3002\u6708\u3092\u898b\u3066\u3082\u81ea\u5206\u306e\u5883\u9047\u3068\u306e\u843d\u5dee\u306b\u6d99\u3059\u308b\u7d14\u771f\u3076\u308a\u3002\u9032\u99d0\u8ecd\u306e\u30c0\u30f3\u30b9\u30db\u30fc\u30eb\u306b\u3074\u3063\u305f\u308a\u3067\u3002<\/p>\n<\/section>\n<section class=\"tango-language\" lang=\"en\">\n<h3>English lyric rendering<\/h3>\n<blockquote>\n<p>A pair of red shoes given by the unknown<br \/>\nSo young a girl, not knowing tears<br \/>\nMy heart trembles with a Love affair<br \/>\nFeeling grief even when seeing the moon.<\/p>\n<\/blockquote>\n<h4>Commentary<\/h4>\n<p>Five years after the war, Japan was still very poor and na\u00efve. Suddenly, an economic upheaval followed the outbreak of the Korean War. Perhaps an American GI gave her this gift to win her heart\u2014a scene often seen in cabarets. She felt her heart tremble with love and dreams. Beginning with such an encounter, this song depicts a young dancer and invites listeners to wonder: what would happen to her next? Nobody can tell what will happen next.<\/p>\n<\/section>\n<\/div>\n<\/section>\n<section class=\"tango-section\" id=\"tango-section-2\" aria-labelledby=\"tango-heading-2\">\n<h2 id=\"tango-heading-2\">Verse 2<span lang=\"ja\">\u7b2c2\u7bc0<\/span><\/h2>\n<div class=\"tango-pair\">\n<section class=\"tango-language\" lang=\"ja\">\n<h3>\u65e5\u672c\u8a9e\u672c\u6587 \u00b7 \u6b4c\u8a5e\u5f15\u7528<\/h3>\n<blockquote>\n<p>\u306a\u305c\u306b\u71c3\u3048\u7acb\u3064\u3000\u8d64\u3044\u9774\u3088<br \/>\n\u541b\u3092\u60f3\u3046\u3066\u3000\u8e0a\u308b\u30bf\u30f3\u30b4<br \/>\n\u65c5\u306f\u679c\u3066\u306a\u304f\u3000\u5c71\u8d8a\u3048\u3000\u91ce\u8d85\u3048\u3066<br \/>\n\u8e0a\u308b\u30bf\u30f3\u30b4<br \/>\n\u6625\u306f\u30df\u30e2\u30b6\u306e\u82b1\u3082\u5302\u3046<\/p>\n<\/blockquote>\n<p>\u3053\u306e\u8d64\u3044\u9774\u306f\u6301\u3061\u4e3b\u306e\u5c11\u5973\u3092\u65c5\u5f79\u8005\u306e\u3088\u3046\u306a\u751f\u6d3b\u306b\u8a98\u3044\u8fbc\u3093\u3060\u3002\u5f53\u6642\u3084\u305f\u3089\u3068\u51fa\u6765\u305f\u30c0\u30f3\u30b9\u30db\u30fc\u30eb\u306b\u30ad\u30e3\u30d0\u30ec\u30fc\u3002\u30aa\u30fc\u30eb\u30ca\u30a4\u30c8\u3067\u30c0\u30f3\u30b5\u30fc\u306f\u5ba2\u3092\u53d6\u308b\u3002\u30af\u30ea\u30b9\u30de\u30b9\u671f\u306b\u306f\u90ca\u5916\u96fb\u8eca\u307e\u3067\u30aa\u30fc\u30eb\u30ca\u30a4\u30c8\u3002\u8d64\u3044\u9774\u306e\u4e59\u5973\u3082\u6c42\u3081\u3089\u308c\u308b\u307e\u307e\u30d9\u30fc\u30b9\u304b\u3089\u30d9\u30fc\u30b9\u306b\u3002\u8ecd\u56fd\u30ad\u30e3\u30d0\u30ec\u30fc\u304b\u3089\u30ad\u30e3\u30d0\u30ec\u30fc\u3078\u3002\u3053\u306e\u5947\u5999\u306a\u98a8\u666f\u304c\u65e5\u672c\u4e2d\u3067\u898b\u3089\u308c\u3001\u65c5\u82b8\u4eba\u306e\u5982\u304f\u30c0\u30f3\u30b5\u30fc\u305f\u3061\u3082\u7a3c\u304e\u307e\u308f\u308b\u3002\u305d\u3093\u306a\u65e5\u3005\u306e\u751f\u6d3b\u3067\u306f\u6bce\u65e5\u5c65\u3044\u305f\u8d64\u3044\u9774\u306f\u3069\u3046\u306a\u308b\u306e\uff1f<\/p>\n<\/section>\n<section class=\"tango-language\" lang=\"en\">\n<h3>English lyric rendering<\/h3>\n<blockquote>\n<p>Why do you shine so brightly?<br \/>\nDancing tango thinking of you<br \/>\nTravelling over hills and pastures<br \/>\nDancing tango<br \/>\nMimosa fragrance in Spring.<\/p>\n<\/blockquote>\n<h4>Commentary<\/h4>\n<p>In nineteenth-century America, travelling salesmen were everywhere. In Japan, many actors and actresses travelled in those days. After the war, as this song suggests, many dancing girls travelled too, and one can imagine what might happen to them. The poet Saijo Yaso portrayed their lives with pity, using the dancers\u2019 red shoes as a symbol.<\/p>\n<\/section>\n<\/div>\n<\/section>\n<section class=\"tango-section\" id=\"tango-section-3\" aria-labelledby=\"tango-heading-3\">\n<h2 id=\"tango-heading-3\">Verse 3<span lang=\"ja\">\u7b2c3\u7bc0<\/span><\/h2>\n<div class=\"tango-pair\">\n<section class=\"tango-language\" lang=\"ja\">\n<h3>\u65e5\u672c\u8a9e\u672c\u6587 \u00b7 \u6b4c\u8a5e\u5f15\u7528<\/h3>\n<blockquote>\n<p><ruby>\u904b\u547d<rp>\uff08<\/rp><rt>\u3055\u3060\u3081<\/rt><rp>\uff09<\/rp><\/ruby>\u304b\u306a\u3057\u3044\u3000\u8d64\u3044\u9774\u3088<br \/>\n\u9053\u306f\u3075\u305f\u7b4b\u3000\u541b\u306f\u4e00\u4eba<br \/>\n\u98fe\u308a\u7d10\u3055\u3048\u3000\u6d99\u3067\u5343\u5207\u308c\u3066\u3000\u3055\u3089\u3070\u3000\u3055\u3089\u3070<br \/>\n\u9060\u3044\u6c7d\u7b1b\u306b\u3000\u6563\u308a\u3086\u304f\u82b1\u3088<\/p>\n<\/blockquote>\n<p>\u9774\u307b\u3069\u60b2\u3057\u3044\u5bbf\u547d\u3092\u80cc\u8ca0\u3063\u305f\u8eab\u7e55\u3044\u9053\u5177\u306f\u306a\u3044\u3002\u3069\u3093\u306a\u306b\u597d\u304b\u308c\u3066\u3082\u3044\u305a\u308c\u306f\u30dc\u30ed\u30dc\u30ed\u306b\u306a\u308a\u3001\u68c4\u3066\u3089\u308c\u308b\u904b\u547d\u306b\u3042\u308b\u2026\u2026\u3002<\/p>\n<p>\u3053\u306e\u8d64\u3044\u9774\u3082\u611b\u3055\u308c\u305f\u6319\u53e5\u306b\u307c\u308d\u307c\u308d\u3002\u4f55\u3068\u3001\u56fd\u5185\u306b\u3044\u308b\u604b\u4eba\u3092\u632f\u308a\u6368\u3066\u3066\u3001\u3064\u307e\u308a\u9032\u99d0\u8ecd\u3068\u7d50\u5a5a\u3057\u3066\u8239\u306b\u4e57\u308b\u3002\u61a7\u308c\u306e\u30cf\u30ef\u30a4\u822a\u8def\u304b\u3082\u3057\u308c\u306c\u3002\u30c0\u30f3\u30b5\u30fc\u306e\u4ed5\u4e8b\u306b\u3055\u3089\u3070\u3001\u3055\u3089\u3070\u3002\u8d64\u3044\u9774\u306f\u51fa\u8239\u3068\u5171\u306b\u3001\u6368\u3066\u3089\u308c\u3066\u6ce2\u306e\u9593\u306b\u9593\u306b\u307f\u3048\u96a0\u308c\u2026\u6c88\u3093\u3067\u3044\u304f\u3002<\/p>\n<p>\u4f5c\u8a5e\u8005\u306f\u897f\u6761\u516b\u5341\u3002\u541b\u306f\u65e9\u7a32\u7530\u306f\u4ecf\u6587\u306e\u6559\u6388\u3067\u30a2\u30eb\u30c1\u30e5\u30fc\u30eb\u30fb\u30e9\u30f3\u30dc\u30fc\u306e\u7814\u7a76\u5bb6\u3002\u3060\u306e\u306b\u3001\u3088\u304f\u3082\u307e\u3042\u3001\u3053\u3053\u307e\u3067\u5973\u306e\u4e00\u751f\u3092\u898b\u4e8b\u306b\u63cf\u3051\u305f\u3082\u306e\u3060\u3002\u3053\u3093\u306a\u3001\u305f\u3063\u305f\u5341\u6570\u884c\u306e\u8a69\u306e\u4e2d\u306b\u3001\u5f53\u6642\u306e\u4e16\u76f8\u3082\u3001\u305d\u308c\u306b\u6d41\u3055\u308c\u308b\u5973\u306e\u534a\u751f\u6daf\u3082\u4e00\u7dd2\u304f\u305f\u306b\u63cf\u304d\u8fbc\u3093\u3060\u3002\u3053\u306e\u624d\u80fd\u3002\u516b\u5341\u541b\u306f\u3084\u306f\u308a\u5929\u624d\u3068\u3044\u3046\u307b\u304b\u306a\u3044\u3001<\/p>\n<\/section>\n<section class=\"tango-language\" lang=\"en\">\n<h3>English lyric rendering<\/h3>\n<blockquote>\n<p>So sad my life together with you<br \/>\nHaving one choice stay or abroad<br \/>\nStrings worn out with tears sayin good bye<br \/>\nGood-bye red shoes on the ocean waves.<\/p>\n<\/blockquote>\n<h4>Commentary<\/h4>\n<p>Professor Saijo Yaso, a prominent scholar of French literature at Waseda University, was able to depict the whole life of a female dancer with remarkable skill.<\/p>\n<p>In this sense, he is an outstanding poet.<\/p>\n<p>Regrettably, however, this song is now among many others slipping into obscurity. A discerning listener may welcome the chance to rediscover it.<\/p>\n<\/section>\n<\/div>\n<\/section>\n<p class=\"tango-reading-note\">Editorial note: English commentary has been lightly edited for clarity. Japanese text and English lyric renderings retain the wording of the supplied manuscript.<span lang=\"ja\">\u82f1\u6587\u89e3\u8aac\u306e\u307f\u8868\u8a18\u30fb\u6587\u6cd5\u3092\u4e2d\u5fc3\u306b\u6574\u3048\u3066\u3044\u307e\u3059\u3002\u65e5\u672c\u8a9e\u672c\u6587\u3068\u6b4c\u8a5e\u306e\u82f1\u8a33\u306f\u539f\u7a3f\u306e\u8868\u73fe\u3092\u4fdd\u6301\u3057\u3066\u3044\u307e\u3059\u3002<\/span><\/p>\n<section class=\"tango-related\" aria-labelledby=\"tango-related-heading\">\n<h2 id=\"tango-related-heading\">Related reading &amp; listening <span lang=\"ja\">\uff0f\u95a2\u9023\u4f5c\u54c1\u30fb\u7814\u7a76<\/span><\/h2>\n<ul>\n<li><a href=\"https:\/\/japanromanticism.com\/2026\/09\/07\/nagisa-bridge-blues\/?jra_lang=en\">Nagisa Bridge Elegy <span lang=\"ja\">\uff0f\u306a\u304e\u3055\u6a4b\u30d6\u30eb\u30fc\u30b9<\/span><\/a>\n<p>Lyrics credited to Kahori Tachibana, with music and a live performance by Jun Hayama.<\/p>\n<\/li>\n<li><a href=\"https:\/\/japanromanticism.com\/2026\/09\/07\/horehore-bushi-hawaii-romanticism\/?jra_lang=en\">Holehole Bushi: songs and the lives of Japanese immigrants in Hawaii<\/a>\n<p>A study connecting song lyrics with hardship, hope and the social conditions of another era.<\/p>\n<\/li>\n<li><a href=\"https:\/\/hamano.japanromanticism.com\/en\/\">Seishu Hamano \u2014 Author profile \u2197<\/a>\n<p>Literature, poetry, research and cultural activities.<\/p>\n<\/li>\n<\/ul>\n<\/section>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u897f\u689d\u516b\u5341\u4f5c\u8a69\u30fb\u53e4\u8cc0\u653f\u7537\u4f5c\u66f2\u306e\u300c\u8d64\u3044\u9774\u306e\u30bf\u30f3\u30b4\u300d\u3092\u3001\u6ff1\u91ce\u6210\u79cb\u304c\u6226\u5f8c\u65e5\u672c\u306e\u4e16\u76f8\u3068\u91cd\u306d\u3066\u8aad\u307f\u89e3\u304d\u307e\u3059\u3002\u7e26\u66f8\u304d\u30fb\u30ab\u30e9\u30fc\u306e\u539f\u7a3fPDF\u3001\u65e5\u672c\u8a9e\u672c\u6587\u3068\u82f1\u8a9e\u89e3\u8aac\u3092\u63b2\u8f09\u3002<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_forum_subforum_count":0,"content-type":"","footnotes":""},"categories":[99],"tags":[],"class_list":["post-4283","post","type-post","status-publish","format-standard","hentry","category-essays"],"acf":[],"yoast_head":"<!-- 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